Ali Seradge – Synthetic Fables & Unorthodox Narratives

In his fascination with non-traditional materials, the intersection of American and Middle-Eastern fables, and a willingness to upend long-standing histories, Ali Seradge offers a fresh look at how one interprets past narratives while being firmly placed in the present. On one level, Seradge's creations are clearly jolie laide, even ... Read more

Art Kleinman – The Cyclic Nature of a Long Career

For more than four decades Art Kleinman has traversed an array of aesthetic terrain that mirrored the times in which the works were produced. From early abstraction to self-portraiture to political commentary, Kleinman has not hesitated from investigating new ideas and methods in his practice. This week the COMP ... Read more

Orkideh Torabi – Revisiting Male Dominated Narratives

In examining historical narrative paintings, Persian culture, and her personal life experience, Iranian artist Orkideh Torabi crafts fascinating sardonic tales that comment on our male dominated world. Recently, Torabi presented a series of these works at the Weinberg/Newton Gallery in River North. This week the COMP Magazine headed up ... Read more

Hương Ngô – Reflecting Winds of Perception & Change

In a highly charged political landscape where immigration and other recurring social issues have divided our country, Hương Ngô examines these topics with subtlety and depth that can only be achieved through intimate experience. Ngô's Reap the Whirlwind is currently on view at Aspect/Ratio Projects through October 20, 2018. ... Read more

Susan Giles – Translating Hand Gestures & Space

Currently, on view at the Chicago Cultural Center is a mammoth work produced by Susan Giles. This piece, "A Large Reference Corral..." is the culmination of extensive research, adept skill in translating precise details at various sizes, unequalled patience, and an ability to realize a vision that extends beyond ... Read more

Alisa Swindell – Examining Notions of Desire

Reexamining the art, photography, and social practices of the 1980-1990s has long piqued the interest of art historian, Alisa Swindell. In looking at these materials, Swindell provides a solid base for understanding how artists of this period dealt with overwhelming personal experience while simultaneously producing artworks that define a ... Read more

Jeff Carter – Functional Formats of Occupying

Currently, Jeff Carter, along with Susan Giles and Faheem Majeed, is presenting works in Tuned Mass at the Chicago Cultural Center through January 6, 2019. Carter's aesthetic practice merges his interest in early 20th c. Modernism with ideas that address our mass consumer culture, polarizing political commentary, and a ... Read more

Cole Pierce – Color Strategies & Vinyl Tape

Precision and optical synthesis are core to the aesthetic practice of Cole Pierce. There is a sensory geometry coupled with ocular encounter that establishes a plain of perception. This week the COMP Magazine headed up to the Northside to visit Pierce in studio to discuss what established his focus ... Read more

Buddy Damen and the Last Call – Closing Time Melodies

Buddy Damen was born in 1939 in Florence, Alabama, across the river from Muscle Shoals. He had five younger sisters, most of whom married, all of whom had children. He left home at the age of 16 and made his way west, playing on street corners and in honky-tonks ... Read more

Ciurej & Lochman – Evolving Histories and Processed Views

With nearly 40 years of collaborative efforts under their belts, Barbara Ciurej & Lindsay Lochman have expanded awareness of the female voice in the fine arts while simultaneously staying current with new formats and strategies for visual presentation. This week the COMP Magazine caught up with Ciurej & Lochman ... Read more
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