Milo Christie – Retroreflective Pseudo Volumetric
One of the most remarkable times to make art is in youth. An undefinable raw freedom and fluid yet erratic approach can give rise to something unknown, potentially something the audience (and artist) struggles to identify by name. In the seemingly disjointed visual vocabulary of Milo Christie there appears ...
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Millicent Kennedy – Ephemera, Labor & Stories About People
In youth, during summers, Millicent Kennedy would travel north from Mississippi to study drawing and painting at the School of the Art Institute of Chicago. She fell in love with the city, and now calls it home after studies at regional universities. Currently, Kennedy is the Curator of Exhibitions ...
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Sam Jaffe – Pattern-Based Dizzying Effect
For over a decade Sam Jaffe has been producing visually sensuous artworks that track contemporary colour representation via fashion and popular culture. Jaffe's process is a combination of tracking mainstream usage of colour, recycling of materials, and spontaneity. The completed works often play with one's vision to dizzying effect ...
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Jill Birschbach – Secrets of Interior Worlds
Throughout lengthy artistic careers by any serious artist there is experimentation. This can be accomplished via a deeper dive into a medium long worked with, analysis of ideas and theories, or exploring new materials and techniques. Jill Birschbach was trained as a photographer and has worked in the photography ...
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Steven Carrelli – Complexity in Our Visual Experience
One of the pleasures of visiting artist's studios in Chicago for the better part of 30 years is the ability to see how artists explore and work with a wide range of mediums and techniques. There have been new digital and sculptural technology introductions. There have been those who've ...
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Monika Plioplyte – Cyclic Pagan Patterns & Universes
One item I am drawn to is direct display and conversation. Monika Plioplyte holds these nonevasive traits in her art practice and the manner in which she carries herself. In recent time, there's been an insistence to avoid frankness and honesty due to our present socio-political milieu. In Plioplyte's ...
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Elnaz Javani – Intersecting Craft, Ideas & Parietal Art Today
Elnaz Javani has located the importance of combining adept craft with art forms and storytelling that date back over a millennium. Though rooted in the past, Javani's practice addresses a range of contemporary ideas that are highly relevant today. This week The COMP Magazine visited Javani at her studio ...
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Angelo Mantas – Traversing Technology, Time & America
Angelo Mantas has been making photographs in Chicago (and beyond) for more than 5 decades. This week The COMP Magazine caught up with Mantas in the South Loop to chat about growing up in the city (during the the last century), how his photography inquiry has changed over his ...
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Chester Alamo-Costello – A Two-Pronged Approach
In 2014 Chester Alamo-Costello started The COMP Magazine with a group of students (Egzon Shaqiri, Jessica Cuevas, Evan Griffin, and Jazzmyne Robbins) as a platform for covering new art and music in Chicagoland. In addition to functioning as the magazine’s publisher since inception, Chester has had an extensive career ...
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Jeffrey Grauel – Life Cycles: Antiquated Patterns to Funerary Wreaths
Having been raised out west in the 1970s in a family where arts and crafts activities were common, it is not entirely surprising that Jeffrey Grauel's aesthetic practice uses materials often aligned with this time period. What becomes fascinating is how and why Grauel, while working today with seemingly ...
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© 2014-2024 The COMP Magazine
Official Art & Design Magazine of the University of St. Francis
Official Art & Design Magazine of the University of St. Francis